Films


Beatles freaks love milestones, and when it comes to the big one--what moment portended the group's demise?--there's no shortage of possibilities. Was it the phone call Paul received chez the Maharishi informing him that the Beatles' business guru had died of a carbitral overdose? The half-baked Magical Mystery Tour project, Paul's money-hemorrhaging power-grab that Bob Spitz says "provided the first signs of their fallibility"? John's first meeting with Yoko Ono in 1966 (after which, John told Jan Wenner, "I decided to leave the group")? Any of the handful of times a Beatle traipsed out of the Let It Be sessions, swearing off the group forever, only to return?

...or, as numerous rock critics as well as the PR wing of Shout! Factory would have us believe, was it the Toronto Rock and Roll Revival Festival in September, 1969? Yesterday, Shout! rereleased D.A. Pennebaker's film of the Toronto concert (it's been off the shelves since BMG pulled a 2002 iteration), and in a wise marketing move the company has answered the above question with stirring finality: this concert, they assure us, "signalled the end of the Beatles."


Review: Flaming Lips, Christmas on Mars

Tampa-Sarasota December 9, 2008 | 6:50 AM Categories: Films, Reviews, Rock/Pop

Do You Realize - The Flaming Lips

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flaming lips.jpgWayne Coyne's film Christmas on Mars is an abysmal clunker, even by vanity-project standards. It's a mostly black-and-white, sci-fi, faux philosophical adventure strongly indebted to Stanley Kubrick's infinitely superior 2001:A Space Odyssey and David Lynch's pioneering, if equally obnoxious, Eraserhead. Whereas Flaming Lips live shows are charmingly weird and fun, the band's silver screen debut reeks of film-school pretentiousness and art-house arrogance.

Preview: '69 French film More, with Pink Floyd soundtrack shows @ Highland Inn Tues., Nov. 25

Atlanta November 24, 2008 | 11:23 AM Categories: Films, Rock/Pop, Upcoming

Cymbaline - Pink Floyd

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more.jpgThis Tuesday night Fringe Factory and Movie Lounge present a free screening of director Barbet Schroeder's 1969 cult/hippie classic, More.

The film captures a slice of life in '60s Europe where youth and drug cultures collide.  Stefan (Klaus Grunberg) ventures to Paris after graduation, where he becomes enamored with a young American hippie girl, Estelle (Mimsy Farmer).  She lures him to Ibiza, where the dangerous and exotic world of LSD and nude sunbathing are pursued before succumbing to the destructive trappings of heroin addiction.

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Already underway at Film Forum is a retrospective of idiosyncratic documentary filmmaker Les Blank. Just a few weeks back, we were fiending for the man's singular take on such non-standard doc subject matter like garlic, gap-toothed women, and American micro-cultures, not to mention his infamous documentary where German director Werner Herzog loses a bet and has to eat his shoe.
 Of particular note are the Les Blank documentaries running this week focusing on music and its makers. Tuesday night's double feature of Chulas Fronteras and Del Mero Corazon focuses on Tex-Mex border music cultures intermingling, with performances from conjunto and ranchero icons Flaco Jimenez and Lydia Mendoza, as well as a doc about the master of the conga, Francisco Aguabella. Wednesday night's double feature of Always for Pleasure and King of the Cowboy Artists immerses itself in New Orleans and the Wild Tchoupitoulas of Mardi Gras and a singing cowboy. Thursday showcases the sublime polka documentary, In Heaven There is No Beer? The answer to that question goes: "So we must drink it here."
Through Thursday, November 20 @ Film Forum 209 W. Houston
MYNY02.jpgToday's entry in the My NY series comes courtesy of film-maker Matt Wolf, who has received many accolades this year for Wild Combination, his lovingly-rendered documentary about the inscrutable icon Arthur Russell. Out this week on DVD via Plexifilm, Wolf heps us to a few of his favorite things...

TONIGHT: Wild Style 25th Anniversary Party

New York November 13, 2008 | 2:18 PM Categories: Films, Live, Rap/Hip-Hop, Upcoming

wildstyle.jpg Now is not the place to wax rhapsodic about Charlie Ahearn's epochal Wild Style. Call it ground zero for exposing to the world outside of the Bronx this little thing called hip-hop, call it a jaw-dropping documentary/ document about bombing subway cars, breakdancing, busting moves on basketball courts, cutting up the breaks on disco records, or conducting MC battles on the stoops, call it whatever, but there's still a rush of adrenaline that comes with witnessing this little movie. It not only runs for a week down at Film Forum (209 W. Houston St.) but tonight, Spank Rock gets together with Busy Bee, Grand Master Cas, Grand Master Theodore, Double Trouble, Kevie Kev, and others to celebrate the movie that broke hip-hop worldwide and help raise funds for the weekly Showpaper.
@ Danbro Warehouse 268 Meserole @ Bushwick Brooklyn, $10 All Ages 8pm

Preview: Justice Host Justice Premier

Los Angeles October 29, 2008 | 9:31 AM Categories: Electronic/Dance, Films, Live, Upcoming
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This Halloween, Justice will be make a couple stops in the fair city of Los Angeles. They're no strangers to our sunny shores, having played here no less than five times last year alone. They haven't made the trip as many times in 2008, so maybe that's why they're so busy when they're here.

On Friday night, before their headlining set at the Hard Halloween Party (which is now sold out, by the way), they'll be at the Montalban Theatre on Vine (just south of Hollywood) for the west coast premier of their new documentary Justice: A Cross The Universe.

Full details after the jump...

john.jpgEntering the MoMA's current exhibition, Looking at Music, John Lennon, his face six feet high, looks back out at you. The film is Yoko Ono's "Film No. 5" and it dates from 1968. Examining where rock music and the art world converged in the 60s-70s (nowadays you might just chalk it all up as marketing), it's nothing that hasn't been cobbled together before, but much like Lennon's blinking yet unbudging gaze, an ephemeral nature informs this handful of rooms.  
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There will be far fewer shirtless, bearded dudes in attendance (or at least they'll be respectably dressed) and the summer breezes will not infused with the telltale smells of patchouli, B.O., and kush, but you can re-live the drum-circle bro-down that was the Boredoms' 2007 77 drummer performance, 77BOADRUM, tonight with a screening of the  DVD documentary capturing said event.

Doors open 8:15 - Film starts 9:15pm
Buy your tickets here.
Tonight @ Anthology Film Archives, 32 Second Ave, NYC
wild.jpgSeeing as it took nearly a decade after his death from AIDS in the early 90s for the Arthur Russell renaissance to start, that a dreamy, melancholic film portrait of the man took the better part of this year to move from the film festival circuit to movie theatres seems like a short wait indeed. Wild Combination: A Portrait of Arthur Russell, the debut effort from filmmaker Matt Wolf, screens this week at IFC Center, and one hopes that it can hang around beyond that one-week window. The film is less bio-pic and more an impressionistic drift study of the man who floated between downtown's avant-garde, rock, and disco scenes in the late 70s and early 80s, beholden to none, save the musical world swirling inside his own head. There's a dearth of actual footage to draw on, but Wolf is canny enough to expertly make do with what he has. That the film de-emphasizes the platinum-standard of Russell's disco singles is a small point to haggle, as this brief glimpse at this enigmatic man will no doubt spur greater appreciations of the man.
@ IFC Center 323 Sixth Avenue through October 7. Check website for showtimes.

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