World/Reggae
Growth - Tagaq
Few musical traditions are more peculiar and compelling than the katajjaq throat singing of the Inuit, a 25,000-strong native population concentrated in Canada's Nunavut territory. It's as much a game as a form of music: pairs of women face and embrace one another, unleashing a wild torrent of grunts, exhalations, inhalations, and all manner of guttural, rumbling low-end noises. Each woman rapidly follows her partner, so that their streams of sounds are almost like fun-house reflections of each other--this is made easier, one presumes, because the singers hold their faces so close together that they can use each other's mouths as harmonic resonators. A "song" ends when one of the women is reduced to laughter or simply runs out of breath.
A few years ago a singer calling herself Tagaq (aka Tanya Tagaq Gillis), who'd grown up in Cambridge Bay, Nunavut, largely ignorant of the tradition, began to attract notice by radically recontextualizing katajjaq for the pop world. Homesick while attending art school in Halifax in the late 90s, her mother sent a care package that included some katajjaq cassettes that inspired to experiment with the style while in the shower. Over the next few years she refined her practice and eventually began performing, adapting the tradition for solo voice, with a DJ.
Blackman Know Yourself - Femi Kuti
The Deal: "Reigning King of Afrobeat," son of Fela, releases first studio album in seven years.
The Good: Afro-beat's closest sonic relative may be reggae, but on Kuti's latest release, he does what he can to infuse a jazz influence and bring the music to its Nigerian roots. His 17-piece band may be in full-force, but Kuti spent some of his time off from recording learning to play piano and reintroducing himself to the trumpet. Themes of peace flow throughout the disc's 12 tracks. The album is definitely music with a message, but the influence is as much on the music. There's plenty of instrumentation on the seven-and-a-half minute "Demo Crazy." A mostly instrumental track, "Do You Know," calls out a number of jazz greats, Billie Holiday and Miles Davis among them.
Of particular note are the Les Blank documentaries running this week focusing on music and its makers. Tuesday night's double feature of Chulas Fronteras and Del Mero Corazon focuses on Tex-Mex border music cultures intermingling, with performances from conjunto and ranchero icons Flaco Jimenez and Lydia Mendoza, as well as a doc about the master of the conga, Francisco Aguabella. Wednesday night's double feature of Always for Pleasure and King of the Cowboy Artists immerses itself in New Orleans and the Wild Tchoupitoulas of Mardi Gras and a singing cowboy. Thursday showcases the sublime polka documentary, In Heaven There is No Beer? The answer to that question goes: "So we must drink it here."
Through Thursday, November 20 @ Film Forum 209 W. Houston
Palmitos Park - El Guincho
Sometimes I wish the world was organized differently. Like, why can't all the bands that play this week get together at the end -- maybe Sunday night -- for a big jam? I'd love to hear what El Guincho would do with McCoy Tyner on a tune by Pylon.I'll Never Belong - King Khan & BBQ Show

Is it election time at last? I guess these events may be celebratory or commiseration central, depending on how the election goes -- and how you want it to go.
Plus Qui Moi - Rupa & the April Fishes

Here's something I'd like to see more of: A fun local band with enough of a draw to headline a local club twice in one night -- and the second show only costs $5.
Bloodstream - Evangelicals
The ramp up to Halloween is here. The ramp up to the election is here. I've got a feeling that a lot of people around these parts will be combining the two.
Tiger Phone Card - Dengue Fever
Most of the good stuff this week is early on. Guess you can take the last couple days off and enjoy the end of Indian Summer.Otenga - Kenge Kenge
For the past week or so the media have been talking about Barack Obama's new momentum in the polls, but unsurprisingly none of the pundits have commented on the appearance of two new pro-Obama songs by African musicians, both from or once based in Kenya, his father's homeland.
While in town a couple of weeks ago for World Music Festival Chicago the great African singer and bandleader Samba Mapangala (a native of the Congo who achieved his greatest fame after relocating to Kenya) went into Delmark's house studio, Riverside, to cut "Obama Ubari Kiwe (Obama Be Blessed)," a song he also performed during at least one of his festival sets. In the studio he was joined by members of his own group, Virunga, as well as guitarist Nathaniel Braddock and saxophonist Greg Ward of Chicago's Occidental Brothers Dance Band International. The tune is a lovely, lilting slice of benga, with luminescent guitar lines snaking around the infectious but easygoing groove. There are some introductory English-language rhymes from Fanaka Ngede, a Kenyan rapper based in Minneapolis, but for most of the song Mapangala's effortlessly fluid cry takes center stage; in part, his Swahili lyrics say, "Obama, leadership is a gift from God, and you have it / Please help to bring peace, change, and hope to all Americans, and all the world / We love you!" You can hear the song at Mapangala's MySpace page.




