An occupational hazard in music criticism is the inevitable blurbology: over-hyphenated elevator pitches in favor of a new run of B-sides that "totally could have been A-sides" from a band seemingly defined by the number of genres it inhabits.

This was also the case in college. For example: someone mentions a group called, say, Dr. Pain and the Smooch of Death. "They're pretty cool," this person shrugs. (The shrug is always a warning sign.)

"What's it like?" you ask, bracing yourself.

"Oh, I dunno...it's, like, post-Punk-core with a dash of jizz-rock thrown in," this person will nod. You too will nod, and this person will endeavor to ply you with the grainy tracks in question; if there's weed in the room, you soldier through.