Latin

Review: Tito Puente, Reissues

Chicago January 5, 2009 | 11:08 AM Categories: Latin, New Releases

Banqueto - Tito Puente

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tito fuente.jpgWhen it comes to music, the Internet is increasingly fulfilling its early promise as the ultimate library. Though much of the music it holds is illegally or quasi-legally posted, sometimes it feels like you can find nearly everything ever recorded online if you're willing to do some serious digging.

Thankfully it's not always necessary to resort to this vast gray market to find great music that fell out of print decades ago. In 2008 legitimate record labels continued to churn out killer reissues--so many, in fact, that I was often tempted to simply let myself recede into the past, basking in vintage sounds as fresh and vital as anything made today.

Leading the charge over the past couple years has been the revived Fania Records, which was the key salsa label from the 60s through the early 80s. One of the label's best reissues of 2008 went back even further, though--the music on the first two volumes of Tito Puente's The Complete 78s (two more are on the way) originally came out on the great Tico label in the late 40s and early 50s.

Review: Rodrigo y Gabriela, Live In Japan

Charlotte December 4, 2008 | 2:30 PM Categories: Latin, Reviews

Tamacun - Rodrigo y Gabriela

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rodrigo y gabriela.jpgThe Deal: Dynamic acoustic duo show off its skills in a live setting.

The Good: They started out as electric guitar players in a metal band and have brought that energy to the acoustic guitar. Playing plenty of originals with a few covers thrown in, the duo strums their way through an hour and 15 minutes of music on this live set. The limited edition CD also comes with a bonus live DVD of five songs from the concert. The covers are Metallica's "Orion" and "One" and Led Zepplin's "Stairway to Heaven." Rodrigo Sanchez usually handles the soloing while Gabriela Quintero flips and flops her hand across the strings and body of the guitar to create a variety of percussive noises while keeping the rhythm going in chords. However two tracks give each a moment to shine with a solo - Rodrigo's solo contains a snippet of Metallica's "Master of Puppets." The set ends with a fantastic version of the high-speed, percussively intense "Diablo Rojo."

streetlight.pngAnother sign that the recession has been going on a lot longer than a month: Two local record stores are going bye-bye. In fact, Open Mind Music -- which moved to Market Street a couple years back in the hopes of staving off extinction -- is already gone, having shuttered its doors last month. (The store will apparently sell its remaining underground hip-hop, freaky techno, and oddball rock at the Other Shop on Divisadero and online.) Now comes the news that the 24th Street location of Streetlight Records is going kaput after the holidays.

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Already underway at Film Forum is a retrospective of idiosyncratic documentary filmmaker Les Blank. Just a few weeks back, we were fiending for the man's singular take on such non-standard doc subject matter like garlic, gap-toothed women, and American micro-cultures, not to mention his infamous documentary where German director Werner Herzog loses a bet and has to eat his shoe.
 Of particular note are the Les Blank documentaries running this week focusing on music and its makers. Tuesday night's double feature of Chulas Fronteras and Del Mero Corazon focuses on Tex-Mex border music cultures intermingling, with performances from conjunto and ranchero icons Flaco Jimenez and Lydia Mendoza, as well as a doc about the master of the conga, Francisco Aguabella. Wednesday night's double feature of Always for Pleasure and King of the Cowboy Artists immerses itself in New Orleans and the Wild Tchoupitoulas of Mardi Gras and a singing cowboy. Thursday showcases the sublime polka documentary, In Heaven There is No Beer? The answer to that question goes: "So we must drink it here."
Through Thursday, November 20 @ Film Forum 209 W. Houston

Preview: Edgardo & Candela @ Yoshi's SF

San Francisco October 28, 2008 | 3:54 PM Categories: Latin, Live, Upcoming

Madre Rumba, Padre Son - Edgardo & Candela

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edgardo & candela.pngYou know what's wussy? Playing drums with sticks. Come on, man, where's the machismo in that? Try beating on them with your hands, like Edgardo Cambon, the leader of Edgardo & Candela. He's been whacking on his for 20 years and he's still smiling.

Plus Qui Moi - Rupa & the April Fishes

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Here's something I'd like to see more of: A fun local band with enough of a draw to headline a local club twice in one night -- and the second show only costs $5.

Africans sing for Obama

Chicago October 2, 2008 | 2:18 PM Categories: Latin, New Releases, Reviews, World/Reggae

Otenga - Kenge Kenge

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obama for change.jpgFor the past week or so the media have been talking about Barack Obama's new momentum in the polls, but unsurprisingly none of the pundits have commented on the appearance of two new pro-Obama songs by African musicians, both from or once based in Kenya, his father's homeland.

While in town a couple of weeks ago for World Music Festival Chicago the great African singer and bandleader Samba Mapangala (a native of the Congo who achieved his greatest fame after relocating to Kenya) went into Delmark's house studio, Riverside, to cut "Obama Ubari Kiwe (Obama Be Blessed)," a song he also performed during at least one of his festival sets. In the studio he was joined by members of his own group, Virunga, as well as guitarist Nathaniel Braddock and saxophonist Greg Ward of Chicago's Occidental Brothers Dance Band International. The tune is a lovely, lilting slice of benga, with luminescent guitar lines snaking around the infectious but easygoing groove. There are some introductory English-language rhymes from Fanaka Ngede, a Kenyan rapper based in Minneapolis, but for most of the song Mapangala's effortlessly fluid cry takes center stage; in part, his Swahili lyrics say, "Obama, leadership is a gift from God, and you have it / Please help to bring peace, change, and hope to all Americans, and all the world / We love you!" You can hear the song at Mapangala's MySpace page.

U Can't Touch This - MC Hammer

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lovefest1.jpgFestival season is not quite over. There's two more, and they're both this weekend. First, there's the eighth year of Hardly Strictly Bluegrass, Warren Hellman's free three-day folk festival in Golden Gate Park. Next, we have the fourth year of Lovefest, the electronic music extravaganza that parades through town as well as snaking its tentacles through clubs all over town. In order to help you choose which to attend, I've tried to sort out what should appeal to which specific kinds of people.

Preview: Cordero @ The Earl

Atlanta September 29, 2008 | 8:12 AM Categories: Latin, Live

Heart in Me - Cordero

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cordero.jpgThe art world recognizes Chris Verene as a photographer, but Atlanta knows him as one of the city's founding fathers of indie rock. He pounded away as the original drummer for Dairy Queen Empire (now DQE), and played in various musical acts throughout the '80s and '90s, including the Rock*A*Teens and the Opal Foxx Quartet.

These days, the Brooklyn-based transplant can be heard providing the beat for the Brooklyn-bases Spanish indie rock band, Cordero -- so named after his wife, songwriter and the band's founding member, Ani Cordero.

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The moniker for Lemonade's MySpace page is bananasandecstacy, and that pretty much sums up the San Francisco trio. They're all about the Latin-flavored percussion, trancy rhythms, and loads of psychedelic synths -- basically, music that makes you want to wear fuzzy sweaters and pet yourself.

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