Tampa-Sarasota

Review: Black Moth Super Rainbow, Eat Us

Tampa-Sarasota January 29, 2009 | 1:05 PM Categories: Electronic/Dance, New Releases

Forever Heavy - Black Moth Super Rainbow

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black moth.jpgBlack Moth Super Rainbow makes some of the most tripped-out experimental music you'll hear around these days, psychedelic electro-rock that belongs in a sci-fi space odyssey done in the 1970's. And it's not like that hard to sit through, hard to appreciate experi stuff -- Black Moth's music is vibrant, a rainbow of flavors that practically jumps out of the speakers to get your notice. I saw them open for Aesop Rock in '07 and was impressed at how well their music translated live. (The visuals helped.)

The band has recently announced the May 26 Graveface Records release of their fourth full-length, Eating Us (cover pictured at left). A medly from the album is currently streaming on the band's MySpace page. It's pretty good and I'm intrigued.

Here's the release and track listing:

After a year of eerie, stilted silence, the sun shines and the shadows reappear. Black Moth Super Rainbow has crept from the forests and cities to make Eating Us, their dark bubblegum freakout for 2009. The first fully hi-fi BMSR record, Eating Us, adds space and dimension to the band's sticky, off-kilter melodies. This isn't an album about witches and woods, and this time around the band isn't letting on to what it all might mean. Because to them, it's just better that way.

The modern musical unit known as Black Moth Super Rainbow first emerged from an obscure Pennsylvania forest glen in 2003 to relay a somewhat confounding sound with Falling Through a Field. Over the next few years, that peculiar sound developed, and the cult of BMSR began. With the release of their naturally-sweetened, candy-coated, and acclaimed 2007 treat, Dandelion Gum, a number of curious listeners bent their ears and adjusted their listening habits to incorporate Black Moth Super Rainbow's oddly creepy and off-beat sweet audio plyings. With support slots opening for Flaming Lips and Aesop Rock, the oft-camera shy outfit was soon positioned in front of thousands of brand new sonically adventurous music enthusiasts who weren't necessarily prepared for the eccentric visuals of BMSR's surreal live show, but would hopefully emerge changed, and be better off for it.

Their new full length presentation for 2009, Eating Us, promises to up the ante on the fidelity and melodies that BMSR have become known for. Here, the merry cryptic band has added some new flavors to their already well-established rainbow of sounds, with even more dense layers of lushly complex orchestration, intensely rhythmic drumming from a live, human drummer, vocoder vocals that are anything but robotic, and thick, undulating bass tones. Recorded at Tarbox Road Studios, Eating Us marks the first time BMSR has ventured into a modern recording studio. Production and partial tracking were handled by Dave Fridmann (The Flaming Lips, MGMT, Weezer) whose hands and ears were the only ones trusted to keep the freaked out wiggles and hairy candies fully in-tact, while also expanding them in a more realistic space.

Now a six piece, BMSR could come or go at any time, however 2009 promises a return to touring.

Eating Us will be released May 26, 2009 on Graveface. The full deluxe CD version features a 16 page art booklet and hairy summer jewel case jacket.

Listen to an Eating Us medley here: www.graveface.com/eating_us_pieces.mp3
Hi res album art is available for download here: www.graveface.com/eating_us_hires_cover.jpg

Tracklisting:
01 Born On A Day The Sun Didn't Rise
02 Dark Bubbles
03 Twin Of Myself
04 Gold Splatter
05 Iron Lemonade
06 Tooth Decay
07 Fields Are Breathing
08 Smile The Day After Today
09 The Sticky
10 Bubblegum Animals
11 American Face Dust

For more from Tampa check out Creative Loafing.

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