The lure of New York City
is strong for many -- maybe more so these days, as they're giving out wads of
cash on Wall Street, even if you screw up -- and San Francisco
musicians are no different. Lemonade (who I wrote about last month) just announced they're moving to the Big Apple, post haste. Just like one-time S.F.
resident Jolie Holland, who's in town this week for a show (playing with NYC's Herman Dune, a group of French brothers who pull off the trick of being sweet and melancholic at the same time so well that moving east seems worth it, just so you can see them live more often).
At first peep, Holland's
new album, The Living and the Dead, may seem defined by her new digs in Brooklyn.
Former Tom Waits sideman Marc Ribot plays guitar on several
tracks, and songs like "Your Big Hands" which would sit nicely along
the Keith Richards-charged work on Raindogs. Overall, the country and folk
stylings of the past have been buried beneath rock instrumentation, much in the
way of latter-day Lucinda Williams.
Still, many of these songs were composed in San
Francisco, or during travels in Europe
and a writing retreat in New Zealand.
There's plenty of sweet guitarwork by M. Ward and subtle drumming by Rachel
Blumberg (the Decemberists, Norfolk & Western). Holland's
songwriting still bursts with a vivid wanderlust, delivering an emotional
impact as big as her Texas
homeland. Just check out her version of the traditional "Love Henry"
or the effervescent waltz of "Sweet Loving Man."
Plus, as I witnessed at a recent industry showcase in which
she "opened" for Sammy Hagar and E-40, Holland
remains a fascinating performer -- one of those artists wrestling in plain
sight with her muse, her talents, and the ghosts flying around the rafters.
To get you in the mood for her show, I asked her to tell us
what she misses about the Bay Area. Here's what she came up with...
I miss the walk up Bernal Hill, and the views from the top,
on nights and mornings and foggy days, the chiaroscuro, the gigantic panorama,
the way that one part feels kinda lunar.
I miss the Musee Mechanique, especially the tiny Opium Den,
where for twenty-five cents a pop you can watch the itty-bitty gnarled dudes
huff their pipes and the implied hallucination of a dragon emerges from behind
a dusty red curtain, a skeleton whirls out of a closet.I love any cramped little bar anywhere in the
world that makes me feel like I'm in that miniature, imaginary room.
I miss Freddi Price, and everything he might be doing -- music,
theater, barbeques.He's one of my
favorite performers ever.Rube Waddell,
the Armchair Geographers, Wink Pain, the Wink and Yoni Show, the puppet shows
he puts on ... hearing him sing, play piano, tabla, trumpet, slide guitar ... just
hearing him hold forth on any subject. I heart Freddi Price.I think he's a national treasure, but maybe
we don't even deserve him.
I miss the stumps, the succulents, the dahlias, the
fuschias, the marshy ponds, the ferns, the towering trees, and the moss of Golden
GatePark. And I
miss the foxes, bison, ravens, and tough-ass raccoons that live there.
I miss the Victorian Box tree that grows in the panhandle on
the path that leads into Shrader Street.It is so graceful, and it smells so beautiful
when it blooms at night.
I miss the gnarled bark of the Eucalyptuses that grow all
over the park, and the hawks that hunt pigeons from their branches.
Jolie Holland, Herman Dune @ Bimbo's on Wednesday, October
15; doors 7 p.m., tickets $19.50.
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