Crystal Stilts - Crystal Stilts

Slumberland Records remains one
of the best indie-pop record labels of all time, having released albums and
singles from the likes of Stereolab, the Aislers Set, Rocketship, and Velocity
Girl. For much of the '00s, however, the Berkeley-based label has been near
dormant, save for the odd release now and then. Until recently, that is, when
imprint owner Mike Schulman found himself reinvigorated by a new generation of
pop artists and started putting out their records. Two such acts -- Crystal
Stilts and Cause Co-Motion, each from
1. My Bloody Valentine
"Paint A Rainbow"
While Loveless has become the
definitive MBV record of legend, I still prefer their early, poppier efforts.
"Paint A Rainbow" is an almost perfect pop tune bathed in gorgeous,
consonant guitar scree.
2. The Nightblooms "Never
Dream At All"
This would be original version
from the Fierce 7". A sweet folk song bathed in insane, atonal racket.
Definitely one of those records that make you say "wtf?" After a
Black Tambourine show [Schulman co-founded that seminal band --Ed.], an
audience member said we sounded like this record -- probably the nicest thing
anyone's ever said about my music.
3. Dinosaur Jr. "Freak Scene"
Blast First advertised this
single as a classic pop tune worthy of Creation Records, and I would not argue.
Great melody, great riff and oh man that solo. Brilliant.
4. 14 Iced Bears -
"Inside"
When I think about indie-pop,
this to me is what it sounds like. Catchy, shambolic, and owing as much to punk
as '60s pop. And what about that totally dissonant guitar howling through it?
Wow.
5. The Jesus & Mary Chain
"You Trip Me Up"
I'd have to say that it's those
first four Mary Chain singles that really made me want to pick up a guitar and
make music. It's hard for me to pick a favorite, but this one's fragile beauty
always amazes me.
6. Hüsker Dü "I
Apologize"
Back in high school I was
pretty into hardcore, and Hüsker Dü were one of my favorites. Zen Arcade and
New Day Rising still blow my mind, and this raging slice of hyperactive pop
sounds as good to me now as it did, gulp, more than 20 years ago.
7. The Golden Dawn "My
Secret World"
Sarah Records in noise-pop
shock! The Golden Dawn didn't release many records, but all of them are solid
gold. A naggingly catchy riff, boom-bap stand-up drums, and classic feedback
lock-groove at the end. What more do you want?
8. The Wedding Present
"Once More"
Could they play their guitars
any faster? Racing, clanging guitars pushed to the edge of feedback and chaos,
wedded to one of their best early tunes. Magic.
9. The Shop Assistants
"All Day Long"
This single really hipped me to
the fact that was a little scene of
10. Lilys "February
Fourteenth"
Well, I had to sneak in something on Slumberland, didn't I? When the band delivered the tapes for this single I seriously could not believe how amazing it was. Sure, there's some MBV flavor there, but it's also just a fantastic single in its own right. Loud, driving, anthemic shoegaze-y pop like they just don't make anymore.
Crystal Stilts, Cause
Co-Motion, Zach Hill (of Hella), Brilliant Colors @ Bottom of the Hill on
Tuesday, November 4; doors





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